Tuesday, December 6, 2011

Weekly Blog #12


For the most part, I still write in the same way that I did at the beginning of the semester.  It still must be silent.  Pins should be able to drop and I should jump at the sound of their “ping” against the floor.  But, I have noticed that it essentially takes me an entire day to write a paper.  I still start at the very beginning, like Maria in The Sound of Music, but I seem to be in this routine of writing a few sentences, maybe a paragraph, taking a 10-15min break, surfing the internet/listening to music/watching videos on YouTube, reading what I wrote and then proceeding to the next grouping of sentences.  I’ll be the very first to admit that these little breaks add up and this is definitely not the most time-efficient way to write a paper.  Yet, I just can’t seem to sit and write until the paper is done and at the same time, I can’t stand the thought of writing part of the paper and then coming back to it in a few hours or even the next day.  It’s as if I have so many thoughts and ideas running around in my head, like little preschool children, that I need time to let them run around and then decide how they should line up after recess before getting cookies.  And at times, this process gets very frustrating because of how long it takes, but I can’t seem to force my brain to work any differently.  But, on the plus side, this process does not apply to writing my blogs and these blogs have become a lot easier and less tedious to write.
            Looking more at the content of my writing, I still need to work on not using the passive voice. While I have always thought that it is a good thing to use because it shows that, as the writer, I sound as if I have credibility (an authority), I see that it can make for a less interactive paper that doesn’t necessarily show, but primarily tells.  I also think I need to continue to improve my narrative voice, so that the reader sees more of “me” in the paper.  However, I’m not entirely sure when I’m going to have the opportunity to practice this next because I’m not sure that my other classes will expect this specific writing style (as in paper #1) in my papers.
            But, while taking some time to reflect of my writing “career” over this semester, I can’t help but go back to a quote I used in my first blog because I still feel that it applies all too well to writing.  So, as Yogi Berra once said,





“99% of the game is half mental.”










Tuesday, November 29, 2011

Weekly Blog #11


            As of right now (since I don’t know how I did on the fourth paper), I am planning on definitely revising Paper #3.  I initially thought that I did a really good job and that it was my strongest paper: I had a thesis that said something strange, three strong close reads, and I addressed a counter-argument. However, after receiving my grade for the paper and discussing it at office hours, I realized that there were definitely areas that could be improved.  I am going to rework a lot of my sentence structure to avoid using the passive voice.  I worked on this in my fourth paper and I think it had better results.  I am also going to work on my transitions so that my paper guides the reader through my analysis instead of just presenting my own logic and interpretation, leaving the reader with nothing to conclude for themselves.  While these things seem to be easily fixable, I will also tackle the structure within the paragraphs, themselves, and rework them so that they continue to refer back to my thesis and are not just set up in the “summary-analysis-summary-analysis…” formula.  Hopefully this will alleviate some thesis confusion and better yet, strengthen my thesis. 
            And again, depending on how I did on Paper #4, I am also thinking that I will revise Paper #2.  I now realize that I had too many sources that distracted from my synthesis.  So to fix this issue, I will obviously take out some sources and instead strengthen the conclusions that I am making about what the sources say.  Since my “so-what” was also not very apparent, I am going to intertwine the “so-what” more clearly in the body of the paper, so that it does not go unnoticed and does not seem to just be thrown in at the end of the paper.





Sunday, November 27, 2011

Weekly Blog #10


In spite of only getting four hours of sleep, I still woke up feeling slaphappy from the concert the night before.  Talking with the band backstage after the show and listening to them giving me musical advice had left me feeling extremely thankful for having music in my life—the perfect Thanksgiving precursor.  With a smile glued to my face, I quickly and robotically got ready and waited for my parents to come pick me up.  I was relieved to see my parents; they had endured the long and snowy 10-hour drive to Ann Arbor to be with me and my sister on Thanksgiving since it would have been difficult for us to drive all the way home after the concert.  The drive up to Highland to my uncle’s house was filled with smiles and laughter as my sister and I told stories from the concert and my parents told us all of the “big-doings” in our rural hometown.  When we finally arrived at their house, the Thanksgiving lunch was almost ready to be devoured—just a few more garnishes were needed here and there. So naturally when the food was finally set on the table, the eight of us wolfed down our food like a pack of hyenas.  And just like every other holiday meal that I have shared with my extended family, we made fun of politicians and the outrageous stories being covered in the news. Feeling full and still as happy and thankful as ever, I made my way down to the basement to watch the rest of the Lions game with my cousins.  Still sharing stories and making jokes, we watched the next two football games on TV and continued to stuff ourselves with delicious pie.  In spite of returning to my empty, lonely dorm later that night, I ironically felt happier and more content than I had ever felt this whole semester.  Apparently all I need is some music, my family, football, and pie to cheer me up.





Friday, November 18, 2011

Weekly Blog #9


While I have been stating my argument essentially as, “new bias is necessary,” I am thinking that rephrasing this to, “news bias is inevitable,” better parallels the angle I am going to take with this topic. Under the umbrella topic on news bias, I am exploring two categories: content bias (elemental factors designed to inhibit the “raw” truth) and ideological bias (personal political and conceptual views). 
There are four content biases (personalization, dramatization, fragmentation, and authority-disorder), which all seem to reject the notion of political and social discussion.  But, does the lack of discussion haphazardly and vicariously promote more active citizens, who do not need to look to others to for cues to be proactive in the country’s politics? Or, does this biasedly formatted content mirror the country’s rapidly advancing and morphing society? 
The most commonly thought about news bias is ideological bias and stations like FOX News and MSNBC appear to be the most notable ideologically biased new sources.  But can’t the claim be made that having a news source with a “centered” view is just as ideologically biased as “left” and “right” biased sources? And even if there were such a news source that purely delivered raw facts, would that hold public attention or again, would the pace of the country’s rapidly changing society cause viewers to grow bored and uninterested in news portrayal that didn’t cause someone to feel that they were getting the short end of the stick? 
As for sources, I have looked through articles from Communications databases that simply define the different realms of news bias.  However, the studies done in these articles are not really aligning with my argument (therefore, I have to do a lot of extrapolation).  Also, since I can’t use one of the clips from my Communications paper (the Anderson Cooper 360 clip) I am not sure how to find another spot-on video clip or even how a video clip would specifically fit into my paper at this point, since I am looking less at pointing out specific examples of biased news and looking more at biased news as a whole.





Thursday, November 10, 2011

Weekly Blog #8


For this fourth and finally paper, I am choosing to discuss news biases.  Specifically, that news cannot be presented without bias.  I am learning a lot about this topic and its larger category, media effects, in my Communications class—the history of media effects as well as different spectrums of effects and how they relate to audiences and different types of personal effects.  While we are currently writing a paper on how (and what) different biases are present in certain media clips (as presented in two different articles we have read), I would like to expand upon and twist this argument to look at more news shows and the fact that the biases are not just a negative side-effect/intention of news broadcasting and other journalism, but a necessary factor of news.  While I would be using some factors of my Communications paper, this paper will not be the same paper; it will use the same sources and biases/ideas presented from our readings, but in a fashion that does not prove how the biases exist, but rather that the biases exist in such a manner that they warp our understanding of the world (i.e. by what events get covered and which are left aside), yet, ironically, on a pivotal level.  A part of this paper will also explore how the presentation of news biases, when trying to be bipartisan, is just as bias, if not more bias that originally depicted.  This paper will include multiple, evident close-readings to, hopefully, mitigate pathos and ethos; yet, it may be tricky to completely avoid both pathos and ethos in this discussion and only focus on logos.




Thursday, October 27, 2011

Weekly Blog #7


While both Quinn’s parents and Emma’s parents have inherently bullied their children into destructive behavior, it comes as no shock that Glee’s “ultimate bully,” Sue Sylvester, was once subject to cruel parental bullying.  As seen in Season One’s episode, “Furt,” Sue’s mother comes to McKinley High as Sue, coincidently, is planning a wedding to marry herself.  The phrase, “the apple doesn’t fall far from the tree,” can’t help but describe this mother-daughter relationship.  Doris Sylvester’s blunt, condescending tone and banter match Sue’s persona to a “T.”  But, as it is quickly revealed, this Nazi-hunting “mother” often abandoned Sue and her older sister, Jean, to go on gallivanting quests to destroy any remaining, hidden Nazis, much to Sue’s dismay and disgust. It is Doris’ self-righteous mannerism, however, that makes her the only one, perhaps, who can bring down the narcissistic exterior of Sue Sylvester.  Doris’s subtle jabs at Sue’s being, perhaps hinting at undiscovered insecurity in response to her mother’s actions as the underlying reason for Sue’s despicable behavior, that leave but a juxtaposing, silent, and timid Sue Sylvester: “I mean, when you were little, the other mothers used to tell me that you'd never find anybody. But I said no, no, no, no. She's a perfectly okay child. She'll grow into her looks. And you know what? I believe you still might.”
             Doris Sylvester’s track record of parental shame and neglect as well as her naïve and arrogant habits continue even throughout the wedding plans as she demands to sing a song at Sue’s wedding.  However, contrary to the popular notion that the “bride” gets to make the decisions, Sue cannot even pick the song her mother will sing as it will cause pain and disappointment for Doris—a “guilt-trip” in it’s finest light.  These instances conceivably lead to the very core of the Sue Sylvester bully; an abandoned and lonely soul attempting to survive in a world built by relationships in a self-sufficient way, after years of suffering from vulnerability, insecurity, and repression, all stemming from toxic parenthood: “You’re a bully, mother…I can remember a conversation where I didn’t walk away feeling worse about myself.”



 

Thursday, October 13, 2011

Weekly Blog #6


Piracy is something the world could do without.  It’s stealing—that’s plain and simple, black and white.  And yet, it’s something that so few find morally and ethically unacceptable.  Maybe this is due to the fact that most pirated items are not physically tangible.  Movies are seen.  Music is heard.  But, books are held.  Paintings and other artwork are most commonly created so that their final products are physically observed, not digitally.  Therefore, movies and music are more commonly pirated because the perpetrators of the crime are under the impression that their felony cannot actually be seen.  “[But] by stealing the creative product of talented people, this form of piracy deprives artists of the rewards they deserve. If left unchecked, such crime would drain the incentive to create that enriches our lives” (Paul McNulty).  So, on the contrary, these crimes can be seen.  For example, in the music industry, it costs approximately $1 million to fully promote and produce a single (assuming the artist is signed to a major label, this includes the production of a music video and radio promotion).  This $1 million is essentially loaned to the artist, and through their record/single sales, ticket sales, and merchandise sales it becomes to artist’s responsibility to pay back the label or risk being “dropped” or having paying the money out of pocket.  When it is considered that the bulk of artists are young, is this potential amount of debt not a shocking burden to bear so early on in a career?  Therefore, every little bit of sales helps, even if it is just $0.99 for a song.  To deprive an artist of royalties through piracy is stealing.  Money is money, and most of the time money, itself, can even be as abstract as the creative content pirated.